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Specimen
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Sharik
A quick brown fox jumps over the lazy dog.
adhesion
Sweet Pomelo
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SharikSans-MediumItalic
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MISS WHITE’S STORY

The story, as Miss White told it, was not unusual in that part of the city, but to John Dean there was every element of newness in it.

He listened without interruption as the story unfolded itself.

Mrs. Marsh, Ted’s mother, had had a hard time of it. Bill Marsh had married her eighteen years ago. Bill was a good mechanic, but after about six years of happiness things began to go wrong. He lost his position and at that time work was not easy to get. Day after day he had searched for something to do. Discouraged, he had taken to drink. Then there was a day when Bill did not return. In all these years Mrs. Marsh had never heard of him. She felt he was dead, yet even that she did not know.

It was a hard struggle afterward. Sewing and washing, early and late, and many a day she went hungry, so that the two children could eat. The mother often spoke of how Ted, when eight years old, had gone out one afternoon and had not returned until seven o’clock. Without a word he had put fifteen cents on the table and then had turned to eat. He showed by the way he ate how hungry he was. After the meal was over, he explained how he had made up his mind to support the family, and so he had bought some papers; the fifteen cents was profit. His capital, also some extra pennies, was intact, so that he could buy more papers.

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Black Italic
Black
ExtraBold Italic
ExtraBold
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Bold
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SemiBold
Thin
Medium
Regular Italic
Regular
Light Italic
Light
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ExtraLight
Thin Italic
About
Font Sharik Sans, de­signed by Michał Jaro­cińs­ki, (named af­ter the brave and smart dog-hero from my fa­vorite TV se­ries) has a warm and gen­tle per­son­al­i­ty. It does not shout; it does not stand out. Sharik serves his mas­ter in every­day work. Al­though it is a sans serif, you can feel a cal­lig­ra­ph­er’s touch in its sub­tle de­tails and end­ings. They shine out, es­pe­cial­ly at dis­play sizes. The fam­i­ly con­sists of nine weights plus match­ing ital­ics. It meets most of the needs de­sign­ers deal with on a dai­ly ba­sis, in­clud­ing web us­age. It is stuffed up with var­i­ous Open­Type fea­tures such as small cap­i­tals, a wide set of nu­mer­als, frac­tions, or­di­nals, al­ter­nates, and, of course, lig­a­tures. And it per­fect­ly har­monis­es with my oth­er serif-like type­face fam­i­ly Cla­vo.

Michał Jaro­cińs­ki

Co-founder Type De­sign­er
Pro­duc­tion Ex­pert

+48 501 160 590
michal@cap­i­tal­ics.wtf